Into the Badlands Season 3 Premieres April 22

RSVFX is currently in production on season 3 of AMC’s epic series “Into the Badlands”, produced by Millar Gough Ink and Take 5 Productions. With new adversaries to face, the stakes are even higher for Sunny, Bajie, and M.K.

“We will bring hope back to this place.” Join us or die. Don’t miss the Season 3 premiere on Sunday, April 22 at 10/9c.

For more information about this project or Rocket Science VFX, please contact candrews@rsvfx.com

Kin Trailer Released

We are super excited to see that a new trailer has dropped for the Summit Entertainment/Lionsgate production “Kin”. The first feature film written and directed by brothers Jonathan and Josh Baker, “Kin” stars James Franco, Jack Reynor, Dennis Quaid, Zoe Kravitz, Carrie Coon and Myles Truitt.

Chased by a vengeful criminal, the feds and a gang of otherworldly soldiers, a recently released ex-con and his adopted teenage brother are forced to go on the run with a weapon of mysterious origin as their only protection.

Led by in-house and on set VFX Supervisor Anthony Paterson, Rocket Science VFX artists produced over 140 amazing VFX shots for the finished film, many of which feature prominently in the new trailer. “Kin” is scheduled to be in wide release on August 31, 2018.

For more information about this project or Rocket Science VFX, please contact candrews@rsvfx.com

2016 Primetime Emmy Nomination – Hannibal “Primavera”

Nominations for the 68th Annual Primetime Emmy Awards were announced this morning in Los Angeles.

Rocket Science VFX is proud to announce it’s work on the ground-breaking NBC/Gaumont/De Laurentiis/Bryan Fuller production of Hannibal has been recognized by the Academy with an Emmy nomination in the category of Outstanding Special Visual Effects in a Supporting Role for the third season episode, “Primavera”.  Led by Rocket Science VFX Supervisor/Producers Anthony Paterson and Robert Crowther, the nomination includes team members Thomas Plaskett, Jay Stanners, Rob Tasker, Terence Krueger, and John Coldrick.

Rupture Released

RSVFX is pleased to announce the North American Release of the Ambi Pictures feature film “Rupture”, directed by Steven Shainberg . Led by VFX Supervisor Tom Turnbull, Rocket Science artists delivered more than 200 visual effects shots to the feature film, including creature, environment, and action VFX.

 

Rocket Science brings Joy to the Quad for Killjoys Season 2

Rocket Science VFX is pleased to announce it has been selected as the sole VFX vendor for the Syfy / Space hit series, “Killjoys” season 2.  Produced by Temple Street Productions in Toronto, “Killjoys” chronicles the adventures of a trio of futuristic bounty hunters as they chase contracts throughout the Quad, a distant solar system of planets.   Working with VFX Supervisor / Producer Michael Gibson (“Battlestar Galactica”, “Defiance”), RSVFX has been engaged to accent the 10 part series with state of the art creatures, environments and spacecraft, including the Killjoys AI-driven ship, Lucy.

Rocket Science won’t say or think The Bye Bye Man

Rocket Science VFX is excited but scared to report it has been selected by VFX Supervisor Bret Culp (“Before I Wake”, “Hush”) to provide creature and horror/action visual effects for the Intrepid Pictures (“Oculus”) feature film, “The Bye Bye Man”.   Due in theaters in December 2016, the feature film directed by Stacy Title and written by Jonathan Penner is based on the “true” events of “The Bridge to Body Island”, a short story by Robert Damon Schneck.

No bigger Fannibals for Hannibal than Rocket Science VFX

On behalf of the artists and staff of Rocket Science, the VFX Supervisor/Producer team of Robert Crowther and Anthony Paterson would like to thank Executive Producer Bryan Fuller for encouraging us to help realize his unique vision for three seasons of the ground-breaking and critically-acclaimed network television series, “Hannibal”.

From the Wendigo to Tarry Alanna, and from Palermo’s Norman Chapel to The Great Red Dragon, no other series project has challenged our artists to produce such creative visuals that have resonated so greatly with the series many internet-savvy Fannibals.  Through all 39 episodes, Rocket Science VFX provided the primary vfx design and supervision for the series through hundreds of shots and many man hours both on set and in the studio.

Rocket Science would also like to thank Executive Producers Martha De Laurentiis and Steve Lightfoot, and Gaumont International Television executives Carol Trussel and Tim King, as well as the entire cast and crew of Hannibal.  We hope to dine together again soon.

Rocket Science Seizes a Golden Opportunity

Rocket Science is happy to announce it has completed its move to swank new offices at 35 Golden Avenue. Built upon the floor plan of a former uniform factory, the new facility is located in the heart of the Junction at the top of Roncesvalle village, near both the subway and high speed rail to the Toronto Airport.

The new custom-designed facility will allow Rocket Science to grow to more than 100 artists and support staff, offering our clients an even more extensive range of services and capabilities. The massive artist space affectionately dubbed “The Barn” is one giant pillar-and-partition free space that can house all of our artists in a single cool, collaborative environment with custom screening rooms, 10 gigabit ethernet to the desk, and high speed fiber links to the world. In winter we flood the floor and turn it into a hockey rink!

Also housing a gourmet bakery and cafe, custom coffee house, and even a dance studio, the building at 35 Golden Ave is a modern marvel of design and technological advancement.

Rocket Science builds modern rocketry for The Expanse

Rocket Science VFX is very excited to be a key part of the VFX team bringing Alcon Entertainment’s “The Expanse” to life.  The massive space opera television series, which will air on Syfy later this year, is based upon the works of science fiction author James S. A. Corey, particularly “Leviathan Wakes”.

True to it’s name, Rocket Science is responsible for the CG build, animation, realistic rendering, and compositing of the key spacecraft in the series, the Tachi/Rocinante, the Canterbury, Tycho Station, and the Nauvoo for hundreds of shots throughout the 10 part series.

Rocket Science makes it snow for Hell on Wheels Season 5

Rocket Science is excited to announce it has been selected to provide key visual effects sequences for the final fifth season of the hit AMC series, “Hell on Wheels”.  A dramatization of the events leading up to the successful completion of the first transcontinental railroad across the United States, “Hell on Wheels” focuses on former confederate soldier, Cullen Bohannon.

Rocket Science contributed matte paintings, winter and mountain environments, and action sequence effects for the 14 episode fifth season.